Some people we asked had concerns with the original shot-list. This was
mainly with the sequencing of scenes and how the protagonist would shift
from the countryside to the centre of a busy town in such a short
period of time. We took this advice into consideration as we thought it might be an issue. Therefore we changed our storyboard accordingly. The intention for shooting now is to just shoot
the car strangulation scene in the film. This will be supplied with the back story of
1956 France, giving the audience an idea that there is some kind of
espionage backstory to the protagonist's situation.
Feedback of the story board were far more positive, and this helped us shape the plans for our film:
"Love the idea of having point-of-view shots from both the victim and the killer" JG - Media student
"Using a range of shots is good to show the conventions of the thriller" MM - Media Student
"I think you will struggle to put the shots together in an order that is
coherent, and you will struggle to avoid putting in things that ruin
the continuity. But if it is right then it should be really good' CC -
Media student
"The shot types that your using sound really cool, I like the idea of using the French music in the film!" EP Media Student
"Building up tension to the final strangulation is a good way to keep the audiences attention, I like it!" CH - Media Student
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